Friday, January 31, 2020

Critique of Gallery Shows of Asian Art Essay Example for Free

Critique of Gallery Shows of Asian Art Essay Asian art can refer to the vast genre of art and artists throughout the Asian continent. The history of Asian art is as varied as the cultures that make up this region of the world. From ancient bronze sculptures in India to the Manga cartoons of Japan, each country has a distinctive perspective on the world around them. In this paper I will look at three proposals for gallery shows of Asian art, each completely unique in their view of Asian culture. The first group looks at â€Å"Pop culture in Asia† focusing on the works of artists Wang Guangyi, Satoshi Kon, Takashi Murakami, and Basak Aditya, as well the art of Japanese tattoos. Organizing such conflicting works together seems disjointed and lacking coherence. Indeed the idea of Pop culture in Asia could be defined in multiple ways, but this grouping lacks consistency and logic. Works by Wang Guangyi, Satoshi Kon and Takashi Murakami, each with their pop art style and references, would be a good match for a show focusing on pop culture. Wang Guangyi reinvents propaganda posters from the 1960’s and 70’s into capitalist propaganda posters, using the same triangular composition and palette. Takashi Murakami is known for his sculptures of highly stylized cartoon or invented characters, referring to the popular culture of Japan or contemporary films. Satoshi Kon is a director of animated films that are loaded with Japanese cultural references and symbolism. I believe the work of these three artists would have been enough for a succinct show of Pop culture in Asia. The addition of the works of Basak Aditya and Japanese tattoos makes this grouping lose its focus. Although the work of Basak Aditya, with his poetic landscapes and dream-like portraits, is interesting, it is not a good fit because they are too personalized and make no references to the pop culture of India. And finally the addition of Japanese tattoos just seems like an arbitrary decision. Although some tattoos may have pop cultural references, the inclusion of photographs of skin art is incompatible with the cohesion of the first three artists in the grouping. The next group â€Å"Art and Power† successfully showed a variety of artwork that represented power throughout the ages. Beginning with paintings from the Chinese era of emperors and using concise language to demonstrate their interpretation of power. This group then looks at the brass and copper sculptures of Buddha, Shiva, and Jambhala, clearly demonstrating the power of religion in the regions of Tibet and India. Next are a grouping of decorative and ceremonial items from Korea, signifying the power of the ruling and upper-classes of ancient Asia. This grouping ends with a group of painting and sculpture of samurais and two thangka paintings. The overall consistency of the objects and paintings used for this grouping makes for a successful exhibition. All the works chosen were clearly indicative of power in this well organized grouping. Finally the last group chose â€Å"Asian Animation† as a theme. Again this is a clear and well put together group of mostly Japanese cartoons and figures. This group first looks at the work of Satoshi Trajiri, and the media franchise of Pokemon. This group clearly spent time on creating colorful cartoon-like backgrounds to add to their clear, well planned presentation. They then look at the illustration work of Akira Toriyama and his colorful, well defined sharp edge illustrations. The group then looks at toys and costumes that are created from these cartoons and comics, again using a similar background to unify the presentation. Although some of the content is repeated at the end of the grouping, the overall vision of presenting these comics and cartoons as art forms is cohesive and easy to understand. The group points out how important comics as an industry is to Japan and their cultural affects throughout the world.

Thursday, January 23, 2020

Gangs and Violence :: Gangs Violence Psychology Essays

Gangs and Violence Gangs are a violent reality that people have to deal with in today's cities. What has made these groups come about? Why do kids feel that being in a gang is both an acceptable and prestigious way to live? The long range answer to these questions can only be speculated upon, but in the short term the answers are much easier to find. On the surface, gangs are a direct result of human beings' personal wants and peer pressure. To determine how to effectively end gang violence we must find the way that these morals are given to the individual. Unfortunately, these can only be hypothesized. However, by looking at the way humans are influenced in society, I believe there is good evidence to point the blame at several institutions. These include the forces of the media, the government, theatre, drugs and our economic system.   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  On the surface, gangs are caused by peer pressure and greed. Many teens in gangs will pressure peers into becoming part of a gang by making it all sound glamorous. Money is also an crucial factor. A kid (a 6-10 year old, who is not yet a member) is shown that s/he could make $200 to $400 for small part time gang jobs. Although these are important factors they are not strong enough to make kids do things that are strongly against their morals.   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  One of the ways that kids morals are bent so that gang violence becomes more acceptable is the influence of television and movies. The average child spends more time at a TV than she/he spends in a classroom. Since nobody can completely turn off their minds, kids must be learning something while watching the TV. Very few hours of television watched by children are educational, so other ideas are being absorbed during this period of time. Many shows on television today are extremely violent and are often shown this from a gang's perspective. A normal adult can see that this is showing how foully that gangs are living. However, to a child this portrays a violent gang existance as acceptable. 'The Ends Justifies the Means' mentality is also taught through many shows where the "goody guy" captures the "bad guy" through violence and is then being commended. A young child sees this a perfectly acceptable because he knows that the "bad guy" was wrong but has no idea of what acceptable apprehension techniques are.

Wednesday, January 15, 2020

Disability Form

Good day! I am writing this letter to shed light on a recent incident that I have unfortunately been tied up in. as you may well know, I have been working for Borgota for five years. Over this time, I have been efficient and effective in the discharge of my functions and responsibilities. As fortune would have it, I have found myself in disability for the first time. As such, I was not fully aware nor was I apprised of the necessity of filing certain disability claims in order for me to receive my disability check.This led to the failure of the Department of Labor to process my disability checks for the past six weeks. I have never been one to shirk on my responsibilities and neither am I one to blame my misfortunes on other people. Yet, in this instance, I feel that my predicament warrants my action on this matter. Given my disabled status, I have had several difficulties adjusting to normal life and to normal routines.Understandably, it was difficult for me to adjust as I had to de al with this situation on my own. I am not asking for pity or sympathy but rather the understanding for somebody who is in my situation. Times are difficult and this disability of mine does not make things easier, as such, I am imploring your aid so that I can try to move on from this circumstance and soon pick myself up so that I can once again be a productive member of society.

Monday, January 6, 2020

The Slave Labor Camp, Buna, By Primo Levi - 1051 Words

From birth, three basic necessities are recognized as vital in order to sustain life, those being clothing, shelter, and food (which also includes water). With these three basic requirements met, a human can survive. However surviving and living one’s life fully as a human are separate things, and the question must be asked does the limitation of food to the bare minimum required to continue sustaining one’s body begin to also impinge on one’s humanity (which for the purposes of this paper will be defined as the entire human existence, physically, emotionally, and otherwise) in a more thorough way? Food is a prime example of how the slave labor camp, Buna, as told by Primo Levi in his memoir Survival in Auschwitz, attempted to dehumanize Levi. Levi begins with the journey (the literal one) at a camp in Italy where he is being held. It was announced by the Germans that Jews would be leaving the camp - destination unknown. Loaded onto buses, the crowds were ta ken to a train station where they boarded and were off. Levi recalls the discomfort of the train and accounts of others around him. Upon arrival, the men and women were separated, and soon thereafter Levi, unaware the same fate awaited him, first witnessed a prisoner. From entering the camp and onward, he is confused by the atrocities occurring around him. Levi goes through the motions of admittance, shower, tattoo, new uniform, barrack assignment and then began the long tortuous year, where his will was soShow MoreRelatedAuschwitz: a Prisoner Camp, an Industrial Camp, and a Death Camp3326 Words   |  14 PagesAuschwitz: a prisoner camp, an industrial camp, and a death camp â€Å"†¦Imagine now a man who is deprived of everyone he loves, and at the same time of his house, his habit, his cloth, in short, of everything he possesses: he will be a hollow man, reduced to suffering and needs, forgetful of dignity and restraint, for he who loses all often easily loses himself. He will be a man whose life or death can be lightly decided with no sense of human affinity, in the most fortunate of cases, on the basis